The "Not-listening Monkey" tea caddy [不聞猿 という茶入]

In the process recently of writing a section of my dissertation which concerns meibutsu (famed and named) tea utensils, I came across this enigmatic little piece mentioned in a Japanese journal called  銘のはなし：十二ヶ月. Mei no hanashi: jyuni ka getsu (Kyoto: Tankosha, October 1998). 

How much do I love that this tea caddy is named "not-listening monkey" (Kikazaru)! Just look at the shape and you'll see why it evokes one of the three famous monkeys at Nikko's Toshugu mausoleum. Awesome!

While on the face of it, the name is already charming, I believe there's also embedded grammatical pun here. The surface reading of the name translates as "not listening monkey" but if you consider that the "monkey" part of the name "zaru" in this reading, is a homophone for a classical mizenkei (negating) verb ending, then you realize that it's actually a double negative -- thus a positive, possible to read as both "not listening monkey" AND as "Not-not-listening" (which is actually listening). Yeah, I'm a nerd and quite possibly overthinking this double-negative business, but it's fun to contemplate these possibilities for the meaning of the name.

It is credited to Sohaku 宗伯, an Edo-era period Seto-ware potter whose dates are unclear, though apparently he was a contemporary of Nobunaga and Hideyoshi. It may have been named by him, but that is also not certain. The journal and other sources I've consulted don't provide a chain of ownership (yurai) entry, so I'm not even sure who owned it, though it's a meibutsu piece. I will continue to check other meibutsuki from the Edo era and see if I can find an entry for it. 

Here's what the Japan Knowledge Database says about Sohaku: 織豊時代の陶工。

伝記には諸説あるが,武蔵(むさし)川越(埼玉県)の人で,京都を中心に尾張(おわり)(愛知県)瀬戸,備前(岡山県)を往来し茶入れや茶碗(ちゃわん)をつくったという。また織田信長のえらんだ瀬戸六作のひとりに「俊白,一に宗伯,窯印は○印」としてこの名がある。

Some tea friends in my circle think the handles mark it as a chuko-meibutsu dating to Enshu's lifetime, but the sources I've consulted all term it a meibutsu, which would date it earlier, to around the time of Rikyu. Certainly, in this case, the handles are the defining feature, as the majority of tea caddies lack them altogether.

Either way, it's a cute piece with a very apt name, don't you agree?

There certainly are some days I can relate to not wanting to hear certain things.

Tweets by @kirei_sabi

Tanabata: Japan's Star Festival

Gentle Readers,

(Does anyone besides me remember how the inimitable Miss Manners addressed her readership in this manner?)

My recent dearth of posts is due to an ongoing process of dissertation chapter revisions (so much fun!) and a series of work and personal trips that took me to St. Louis (for fun and local history), to Salt Lake City (two weeks grading the AP Japanese Language exam), and to Colorado (to see family).

In the meantime, I've begun teaching an intensively-paced, four-week course on Japanese history at the University of Kansas Edwards campus, which is located not at our usual main campus in Lawrence, but in the affluent Kansas city suburb of Overland Park. It's a great group this year, and a delightfully modest class size of 22 hardy souls, the smallest class I've taught in ... well, in recent memory.

Sunday was Tanabata, the Japanese star festival, so in the spirit of experiential learning, the students and I bedecked a tree branch (harvested from my front yard) with tanzaku bearing our wishes. Students' negai-goto (expressed aspirations) included more rain for a growing garden, finishing a marathon injury-free, and my favorite, a paper slip which simply stated "Graduate!" (I have several soon-to-graduate seniors in the class for whom this course will be their final higher ed huzzah).

Here's a photo of our branch laid at the feet of the KU Edwards campus "Academic Jayhawk" (who knew?)

Here at home, Gary and I also hung out our own Tanabata tanzaku.

I'm not much of a believer in astrology, but I figure that a humble plea to celestial bodies never hurts.